Rizz Wireless

For Rizz Wireless, we didn’t just design a brand—we built a belief system.

From day one, our role went beyond logos, colours, and typography. We helped shape the aesthetic and the philosophical backbone of the brand: a single, expansive umbrella idea that could power every campaign, every message, every moment in the public eye. That idea was Hope—the mother concept.

Hope as fuel.
Hope as rebellion.
Hope as permission to imagine wildly different futures.

Translated for Gen Z and the blue-collar communities Rizz speaks to, this philosophy becomes simple and radical: if you have hope, anything is possible. That optimism pushes the brand into a slightly surreal visual universe—bold, strange, energetic, and unapologetically human—where wireless connectivity isn’t just functional, it’s symbolic of access, mobility, and second chances.

Rizz Wireless isn’t positioned as just another MVNO in the U.S. market. Through its identity, tone of voice, and visual language, it becomes a movement—one that champions resilience, ambition, and everyday dreamers who refuse to stay boxed in.

Our work laid the foundation: a core philosophy strong enough to stretch across marketing, culture, community, and future storytelling—so the brand doesn’t just sell data plans, it broadcasts belief.

Tone of Voice: Irreverent, humorous, uplifting, with Gen Z slang baked in. Think memes-meet-motivation.

Visual Language: Bright gradients, surreal mash-ups, hyperreal 3D renders, dreamlike collages—where reality bends into possibility.

To embody hope as limitless possibility, the brand taps into surreality. The world of Rizz is where imagination and absurdity

collide—showing that hope means believing in the impossible.

Moves away from the corporate seriousness of telecoms into a brand that feels human, optimistic, and relatable.

With Rizz Wireless, we’re not just building a brand, we’re building a world where hope lights the way and even the impossible feels within reach.

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Karigar Records

Skip-a-Beat: Record Label.

Skip a beat is an independent record label & online radio show from India

Its a monthly show that takes you on a hour long journey of sound by some of

The finest music producers from India and around the subcontinent,

With handcrafted beats by Sprky aka Tejas acting as the glue that holds it together.

Graphics for there monthly shows. Applying the logo in various combination permutation to form endless results.

Cover Images for labels annual release.

As a part of guerilla marketing we took the brand on the streets creating public murals to create brand awareness.

Kranti Art Theory

curators of indian underground music and illustration scene.

Corner Shop Kid

For this CSK, we drew on the nazar battu—the protective talisman found across the Indian subcontinent—to create a visual language rooted in vigilance, resilience, and unseen forces.

Culturally, the nazar battu is woven into everyday life: painted on trucks, stitched into children’s clothing, hung outside homes, or embedded in jewelry. It is a folk technology of protection—meant to deflect envy, ill-will, and destabilizing energies—operating somewhere between superstition, spirituality, and design. Its many forms, from black dots to stylized eyes or abstract geometrics, speak to a shared subcontinental instinct to guard what is fragile, precious, or in formation.

For Amar Marwa an Irish filmmaker of Indian descent, the symbol becomes especially potent. It bridges geographies and lineages, carrying ancestral memory into a contemporary, transnational practice. We translated the nazar battu into a modern identity system—stripped down, graphic, and cinematic so it functions both as an emblem and a philosophy: storytelling as an act of protection, perception, and resistance.

The result is a brand that feels watchful yet playful, ancient yet sharp—positioning the producer not just as a creator of narratives, but as someone who shields, interrogates, and refracts the world through film.

The Granfaloon

The Granfalloon was conceived as both a philosophy and a place—an identity for a production company that believes great stories emerge from unlikely encounters.

We shaped the brand around the idea that it is a state of mind and a gathering point: one that draws together people who, under different circumstances, might never have met. Directors, writers, technicians, performers, and wanderers—connected not by sameness, but by curiosity.

Anchored in the provocation “be the strange you want to see in the world,” the visual and verbal language celebrates the off-beat, the experimental, and the unorthodox. Instead of smoothing edges, the identity amplifies them—turning eccentricity into an invitation and difference into creative fuel.

The result is a brand that feels porous, magnetic, and quietly rebellious: positioning The Granfalloon not just as a production house, but as a cultural node where unusual minds collide and new narratives take shape.